Project 'The Ten Commandments of Mammon Mania'

Money affects us all.

We all believe in money - without questioning, without doubting.

Money does something to us.

Mammon - the idolatrous worship of wealth, and mania - the compulsive addiction to it, elevate money to the new religion.

In analogy to the ten commandments from the Old Testament, ten pictures are being created in this project. Their titles are rewritten from their original theological-ethical formulation into a formulation focussed on money. What was originally intended to be understood as a guide to moral and ethical behaviour mutates into an image of consumption-oriented and possessive behaviour in the sense of a functioning financial system.

Acrylic / mixed media

80 × 100 cm

Finishing:
High-gloss gilding with 23.75 carat Rosenoble double gold

Belief in money must be absolute.

We all believe in money, which is basically just a promise – and all people are guided by this belief, regardless of their cultural, ideological or religious affiliation.

It is this unconditional belief that gives money great value, not only materially but also ideally, and places it at the centre of our actions and aspirations.

So we follow this subtle world of finance in the belief that money fulfils all our hopes - a life of health, happiness and peace.

But can you buy health, happiness and peace?

Acrylic / mixed media

80 × 100 cm

Finishing:
High-gloss gilding with 23.75 carat Rosenoble double gold

Money has to be earned.

Like silhouette figures, in our quest to earn as much money as possible, we force ourselves into the corset of the economy, which, like a caterpillar, wants only one thing: to grow.

Just as caterpillars can strip a whole tree bare, our desire for maximum profit consumes our planet's resources. The eyes of the caterpillar, which only see the money, are blinded to the abyss before them.

But there is no escape from this system. We are all part of it and cannot and must not break out of it. Those who do so fall out of the system and are just as lost.

Acrylic / mixed media

80 × 100 cm

Finishing:
High-gloss gilding with 23.75 carat Rosenoble double gold

Money must flow so that the economy can flourish.

Through constant, sometimes even compulsive consumption, money should and must be kept in circulation. This consumption and destruction accepts exploitation.

The horns of plenty, symbolising superabundance and limitless multiplication, are growing skywards. Although the money is poured out again from above, more flows back upwards than can remain at the bottom. Their shape resembles a pair of scissors that have an almost insurmountable narrow point.

Acrylic on canvas

80 × 100 cm

Working people must pay a sufficient monetary contribution to the state for the external care of both the young in education and the old in retirement. The promise of this cash flow is:

Financial security and independence.

Financial security should be achieved through vocational training rather than through education for a successful free life.

The independence of the workforce from social tasks is necessary in order to optimise human capital in the increasingly demanding world of work. The time required for the personal care of family members should be replaced by external care so that the full utilisation of all potentially available workers and the deferral of family interests can be guaranteed.

This mutates the original basic idea of redistribution based on solidarity into a legal entitlement on an insurance basis with a fully comprehensive guarantee. This overlooks the fact that material security and independence alone are not enough for either young or old people.

Acrylic on canvas

80 × 100 cm

Special colour black: Black 4.0

Time is ... earning and spending money.

Our economic system functions like a gigantic machine that not only enables the differentiation of our needs, but also drives it forward at an increasing speed. Markets are developing increasingly dynamically, forcing producers and consumers alike to utilise the given time budget efficiently.

In principle, modern people can freely dispose of their time, but the increase in productivity on the labour market and the cultivation of a certain style of consumption present them with an optimisation problem: on the one hand, there should be an abundance of options for satisfying needs; on the other hand, consumers want to base their purchasing decisions on the relatively greatest individual benefit of an item and they also want to consume as much of it as possible. This requires tight time management on both sides.

The interplay between the increasing generation and consumption of these desires finally exhausts itself in a racing carousel of time, which in its extreme form ends up in a black hole.

Atelier von Isolde Rentz - Graz - Austria
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